face of medusa

This once more introduces the Narcissistic theme and the blurring of the difference between Athena and her rival, which here arises from tragic art. This association of the two myths (and also the intention of apportioning blame) appears in apassage in Desportes' Amours dHyppolite (1573) where the poet tells his lady that she is in danger of seeing herself changed 'into some hard rock' by her 'Medusa's eye'. She is celebrated for her personal charms and the beauty of her locks. In this theatre, woman occupies the two opposite extremes of evil (castration, sorcery) and their cure (the phallus, the Virgin.e. Thus Medusa's head becomes, for the man who takes possession of it after severing it from the terrifying woman, and in accordance with the principle of the 'pharmakon the complete opposite,.e. THE mirror AND THE mask Many elements of the myth suggest, through its basic ambiguity, the tragic nature of Medusa. O medusa, O SUN' In the same way that there is a hidden similarity between Athena, Goddess of Wisdom, and Medusa, a similarity also exists between the sun, symbol of the Ideal and the Gorgon's mask. It would seem that the fear experienced at the sight of Medusa's head is the terror of discovering the secret behind the representation of the image. The rivalry between Athena and the Gorgon, and the mirror motif. Whoever approaches too close to the sun discovers its castrating and castrated monstrousness (Bataille, LAnus Solaire, 1931). Theogony (275 et seq.) and in the. Indeed, the figure of Medusa is characterized by paradox, both in terms of the actual mythical stare, which turned men to stone, and in the interpretations that have been given. It is the mirror of collective violence which leaves the Devil's mark on the individual, as well as being the image of death for those who look. This violation of the sanctity of the temple provoked Minerva, and she changed the beautiful locks of Medusa, which had inspired Neptunes love to serpents. Her head was used, in Ancient times, as an apotropaic mask - a sort of talisman which both killed and redeemed. Medusa keeps her secret behind the ambiguous mask. Two texts illustrate this aspect of the myth. Online Source: m Perseus and Medusa. In Christian symbolism, Medusa represents the dreaded enemy and death, and thus becomes an embodiment of the Devil. Cast down, the feminine remains unrecognized within its innermost recess and it is this 'abject' void which maintains the theatre of the world and the logic of the talisman. And when he flies over Africa with his trophy in a bag, through some sort of negligence, drops of blood fall to earth and are changed into poisonous snakes which reduce Medusa's lethal power (Ovid,. Common features are numerous. face of medusa

Face of medusa - Medusa

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Pokerstars mac download Divine Comedy (Inferno, IX, 55-7) and Milton's, paradise Lost (II, 611). 779ff the reason for the dispute lay in Poseidon's rape of Medusa inside the temple of the virgin goddess.
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face of medusa The Uffizi Gallery, Florence, Italy. She was the only one of the Gorgons who was subject to mortality. Therefore, from the viewpoint of the oldest texts which are true to the spirit of the myth, Medusa is a representation of the Other by virtue of her absolute and terrifying difference. All thinkers who reflect upon the nature of representation, as well as on thought which pursues the 'eidos' are in danger of confronting Medusa's head. Insofar as it is the role of literature to assume responsibility for the sacred, each era, when confronted with the mystery of the 'origins has re-examined Medusa's head with its mesmerizing stare as something which conceals the secret of the sacred.


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